Limited Edition

Editor’s Choice 2013

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The BEST OF 2013 List for ATOD Magazine: A Taste of Dawn is about the most memorable reviews, events, and interviews that have occurred throughout the year that have invited a far more passionate landscape to the world. To the most profound moments and most impacting people of 2013: Thank you to each and every one of you that are fearlessly creative and unwilling to settle for mediocrity.

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Hankin, ’16 Acres’ appeals to the human side of politics

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When it comes to politics there are generally two sides of the fence: you’re either interested, or you aren’t. Then there are the rare moments when an event is so catastrophic, a policy so egregious, that everyone, young and old, find themselves getting involved whether they like it or not, out of moral obligation or personal vendetta. The devastating tragedy of September 11, 2001 is one of these. However, busy as we are supporting our troops, admonishing our government, or going about our lives with an air of indifference, it is perhaps the revelatory spotlight on the question of what to do with the 16 acres of land where the twin towers once stood that has plagued the nation—especially New Yorkers; a question whose answer lies in the celluloid folds of Richard Hankin’s aptly-named biographical documentary, 16 Acres.

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Coast Modern, Architecture For The Soul

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Is life composed of hard edges, or soft curves? In this elliptical documentary on the architectural wonderment of modernism and its steadfast metamorphosis over the last eighty-plus years, filmmakers Mike Bernard and Gavin Froome travel the Pacific Northwest in an effort to capture the essence of a spirituality we won’t find at the local synagogue or mosque, but in the very bones of our own homes. Coast Modern tries to establish not so much a style of living, but a way of life in its up-close-and-personal investigation of a series of homes and establishments belonging to the few who’ve decided to forgo the privacy and security of the enclosed enclaves most of us probably find ourselves in.

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Tom Cawley’s “Something” is Anything but “Nothing”

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While higher-budgeted docs filled with even bigger names might elicit the awe of that Hollywood intangibility, Cawley’s down-to-earth subject matter, and even the subjects themselves, bring us into the story of our own lives. We don’t want to be the people on-screen, these celebrities of sight and sound and tactile surfaces, but rather we wish to paint the stars of our respective destinies with the footnotes of these men and women’s successes, failures, moments of elation, and of suffocating despair. They are, in a word, human.

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Letter From the Editor – Issue No. 4

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That said, this issue is just about the articles we’ve written this past couple of months that took place in and around Los Angeles. It will continue to grow and there will never be a shortage of things to write about in this city. So to the city that holds my heart, thank you for always embracing me even when you spit me out – because hey, that’s just part of being in this city – AND in this industry – thank you for showing me the world in one central location. Thank you for welcoming every ethnicity, every economic range, every color, every shape, every size, every smile, every story, every bite, every culture, every artist, every musician, every struggling actor, every wanting filmmaker, every theatre enthusiast, every remarkable human being.

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The Rainmaker: Who Cares if its Not Feminism—Its True

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With such an excellent cast, it’s easy to nitpick. The only off note comes from Robert Standley’s Starbuck. Starbuck is supposed to be a charming con man, but on Standley, the snake oil is a little too thick. Still in later love scenes, he embodies the hope and confidence of a true “confidence man”—one that is able to inspire the confidence of others.

The tale is a familiar one—resting on the idea that nobody can love you until you love yourself. But of course this internal struggle to believe in ones own beauty comes much easier when surrounded by people who already believe in it for you.

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The Bruery Brew Dinner at The Crow Bar – Prying Flavors with Pairings

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Our plates are cleared, and the second beer arrives, Or Xata, a horchata ale—something we’ve never had or heard of—and anticipation swells in our tongues; both of us spending many nights running to 24-hour Mexican restaurants to satisfy our cravings for the milky, cinnamon drink after 2am. Upon smelling the beer, it evokes images of a creamsicle on a hot summer day, and as it touches your lips, the cinnamon and creamy body takes over, weaving to a vanilla conclusion. We discuss how you often read about eccentric billionaires who have enough money to fly out their favorite chili cheese burger from a Ma and Pa restaurant in the Midwest. This beer would be our eccentric billionaire fly-out.

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Nothing Standard About Micah

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We pause at the bar to order a glass of wine and ask to let Micah know we’re here. A Pinot Noir – easy. Out walks Micah (because he’s not a fan of being called “chef” which makes him even cooler in my book), he smiles that boyish smile, we hug because it’s been a long journey to finally get to the tasting, and we look at the space to figure out if we’re sitting inside or out. Greeted with a tranquility and easy-going appeal, a smile that lets you know he’s genuinely happy to have you sit down at his table, and the passion and curiosities he embodies in the fare he prepares – I knew this wouldn’t be a boring excursion – nor would it be predictable. I was NOT disappointed. We decide the ambiance inside is more our speed tonight. When we sit down in the beautiful, modern, opaque space at the Restaurant, one can’t help but have the desire to want to touch things…

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Smiling Through the Apocalypse

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Smiling Through the Apocalypse, if you haven’t already Googled it yourself already, is a documentary that focuses on Esquire magazine during the sixties. Specifically, during the sixties under the helm of editor Harold T.P. Hayes. The story goes something like this: during one of the most turbulent decades unseen since the Civil War era, editor and provocateur Howard Hayes is remembered as having stepped up to take the falling star that was Esquire, and put it back in the sky. The film’s summary goes on to describe a man who not only led a team behind some of the most varied polemical writing styles and iconoclastic subtleties, but did so under the caveat that each and every day could easily lead to (and oftentimes did) disaster riddle in controversy.

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The Comedy and Magic Club

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Andrew Norelli followed, and made the smart move of using very locally weighted topics like health nuts and social media. Since he was the performer we were primarily going to see, I had done some research on him, watching a few video clips of previous performances (including his spots on The Late Show with David Letterman and Comedy Central’s Live at Gotham) and I was impressed that everything I heard was fresh material, even making me cry over a flaxseed oil joke.

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FASHION: A Night of Old Hollywood Cool

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It was sticky night as the moisture of the heat and the primal desires began to surface. It was Thursday night and the muck of the air rested on my dampened flesh this June evening. Tonight is the big event and it’s the night I get to slip into a dress made by Laura Byrnes and the Designers of PinUp Girl Clothing. Black material cut for bodies like mine, a velvet upper bodice draping my shoulders, binding my neck, and accentuating my bountiful decolletage with amplified elegance. A caterpillar green cymbidium orchid lined with sexuality nestled in my ginger hair. Everything is about how you feel in your own skin and tonight, in this dress, I planned on being ready … for any urge that beckoned.

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Searsucker San Diego

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In the mood for beer, I ordered the Malarkey Hunter Ale. It was slightly hoppy with a mellow finish, refreshing and complimentary to our food, rather than competing with it. My stepbrother Danny ordered the Coyote, made with Cinnamon Bourbon, lime, ginger beer, and bitters. Between the spice of cinnamon and ginger, it had an almost apple cider like flavor, which made it very smooth and almost dangerously easy to drink. My stepfather Will ordered a Skinny Ginny, which tasted like a lighter Moscow Mule, and my mother Renee and friend Whitney ordered a Snake in the Grass, a “better” mojito, made with Cucumber gin, fresh bruised mint, lime and soda.

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No Room For the Ordinary

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As the band fades out, the man in the bowler derby starts to climb a ladder to where the tightrope begins. He stops to sweep out his arm over the audience, clutching a bouquet of flowers, and begins his trek across the tightrope above faces draped in cherry lipstick and blue eye shadow, everyone frantically trying to capture the moment with their camera phones, and me scribbling details in an orange notebook. The crowd and I reward the tightrope walker with a much deserved crackle of applause and it is after this moment that the co-owner of the bar, Mark Houston, arrives, blazing through the crowd in a grey suit and whirlwind of smiles, hugs, and handshakes from the many friends who have come to support him. And although I have never met him before, Mark sets aside time to speak with me, giving me a tour of the location and tells me of his vision for No Vacancy, explaining how he wants the bar to rise above the cheesiness of Hollywood Boulevard as well as restore a treasured landmark and era of Los Angeles history.

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A Man of MUCH Importance

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I’ll admit that I was swept away by the music but when I started to truly understand what was happening in the story, when Alfie clearly shows he is in love with Robby, things begin to really fall into place. With a bizarre but dutiful relationship between Alfie and his sister, Lily, the protector, anchor, and opinionated powerhouse; the friendship between Alfie and Robby that is seemingly innocent and true; the importance of the theatre to every character involved; societal persecution; the unfortunate backdrop of conservatism rearing it’s head to take the freedom and swell of joy right out of it – this was a play/musical that leaves you full of thought, a bit of sadness, and a reason to feel your voice needs to sound.

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Stone and Sadie

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Sarah’s voice drips out into the microphone like honey, sweetening the deliciously dark lyrics of “Kiss the Cuts (Disco No. 6 for Charles Bukowski) as Jazzmin, Andrew and Anders moved in sequence with the pulse. Once the clapping quiets, Sarah announces that “Kiss the Cuts” and the tongue-in-cheek song “I’m Nobody’s Baby (& You Ain’t Nobody’s Fool)” are available to purchase on their official “double”, of which I highly recommend. That way, their finger snapping and toe tapping tunes can follow you home in entirety, instead of just a catchy chorus looping in your head.

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Absinthe Incognito with Chef Lawrence Kocurek

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The evening had arrived, the torrential downpour now washed over me after an incredible event: Rock Your Taco. I walked out onto the Austin scene, feet now bare and soaked, my dress so beautiful now basking in fresh rain water, and my hair once perfectly tailored now soaked and dangling like more of a wet mop than a tress of manicured vintage. I put my wet shoes in the grip of my fingers and see this pedi-taxi. The driver, hair in a ponytail, shorts, and a smile that I can’t ignore. He says, “I’ll take you wherever you want to go. Come on.” I smile. I tell him where and then tell him I only have $5 cash. He says, “Look at you! You were dancing in the rain! I’ll take you anywhere!” The moon glistens through the fluent beads of rainy strings pouring down from the sky.

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Tastings with Chef Shawn Cirkiel PART 1

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Wearing his special order bright pink VANS with black eyelets, a soft pink button up, jeans, and a smile that seems to extend to you, Chef Cirkiel is your every day guy with impeccable taste, a hands-on approach to his craft, an eagerness to experiment, a calling to push himself further, a willingness to encourage his staff to be proactive and innovative, and a charm that allows you feel as if you’ve known him for years. Jane readies her camera and we dive right into conversation…

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Carillon with Chef Josh K. Watkins

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Austin is a city I have come to adore. The culinary prowess of the chefs, the relaxed and confident vibe that finds it’s way from kitchen to plate, the absence of arrogance, the curiosity of experimentation – it’s what makes Austin, AUSTIN. A landscape I must admit is one of the most colorful in terms of flavor and innovation. While I have posted about the Food & Wine Festival this year, there were moments outside of the Festival where I was able to sit down with so many remarkable chefs and visionaries and do a private tasting. One such tasting was with the Carillon’s Chef, Josh K. Watkins.

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Andrew Zimmern

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Andrew Zimmern (born July 4, 1961) is an American television personality, chef, food writer, and teacher. He is the co-creator, host, and consulting producer of the Travel Channel series Bizarre Foods with Andrew Zimmern and Andrew Zimmern’s Bizarre World. For his work on Bizarre Foods with Andrew Zimmern he was presented the James Beard Foundation Award in 2010. He also hosts the show Dining with Death, which explains some of the foods that could cause death.

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