Documentary

‘Welcome Nowhere’ Film Review

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It always blows my mind that in a day and age where we can communicate and socialize with anybody, anywhere in the world, at any given moment, our biggest problem remains to be that of racial prejudice, especially against minorities. In some ways we’re doing better than our grandparents, and even our parents, but we all know we have a long way to go before we can even begin to mumble of having rubbed out perhaps one of the most embarrassing aspects of U.S., indeed World, history.

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‘Cow Power’ turns the lights on

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Global warming is an issue that has garnered bursts of widespread attention in both mainstream media and flyers on the walls of local colleges, with an impact as concerted as it is aloof. Films about the “inevitability” of our ill-fated demise (2012, An Inconvenient Truth) stand toe-to-toe with those rallying against the supposed absurdity of such a notion (The Great Global Warming Swindle). In a sort hilarious twist of irony, there may be a bigger issue at hand here, one that connotes the idea of a hell-on-earth as defunct.

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Tom Cawley’s “Something” is Anything but “Nothing”

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While higher-budgeted docs filled with even bigger names might elicit the awe of that Hollywood intangibility, Cawley’s down-to-earth subject matter, and even the subjects themselves, bring us into the story of our own lives. We don’t want to be the people on-screen, these celebrities of sight and sound and tactile surfaces, but rather we wish to paint the stars of our respective destinies with the footnotes of these men and women’s successes, failures, moments of elation, and of suffocating despair. They are, in a word, human.

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Smiling Through the Apocalypse

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Smiling Through the Apocalypse, if you haven’t already Googled it yourself already, is a documentary that focuses on Esquire magazine during the sixties. Specifically, during the sixties under the helm of editor Harold T.P. Hayes. The story goes something like this: during one of the most turbulent decades unseen since the Civil War era, editor and provocateur Howard Hayes is remembered as having stepped up to take the falling star that was Esquire, and put it back in the sky. The film’s summary goes on to describe a man who not only led a team behind some of the most varied polemical writing styles and iconoclastic subtleties, but did so under the caveat that each and every day could easily lead to (and oftentimes did) disaster riddle in controversy.

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Looking Back on Love – LENNY KRAVITZ

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Directed by Artist, Photographer, Producer, and Music Man, Mathieu Bitton, every shot is honest and gritty – no concealed perfections. Told in a fragmented voice that embraces the moments caught through the lens, the poetic narrative strung together by raw moments not only tell a story in a way that I find refreshing, Matthieu – an artist in his own right – propels us into a world both dynamic and real. He shows us the many sides of a man. A musical icon. A dreamer that captivates the gentle hum buzzing within us all – that need to find love in everything.

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