Music

Letter From the Editor – Issue No. 4

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That said, this issue is just about the articles we’ve written this past couple of months that took place in and around Los Angeles. It will continue to grow and there will never be a shortage of things to write about in this city. So to the city that holds my heart, thank you for always embracing me even when you spit me out – because hey, that’s just part of being in this city – AND in this industry – thank you for showing me the world in one central location. Thank you for welcoming every ethnicity, every economic range, every color, every shape, every size, every smile, every story, every bite, every culture, every artist, every musician, every struggling actor, every wanting filmmaker, every theatre enthusiast, every remarkable human being.

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Stone and Sadie

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Sarah’s voice drips out into the microphone like honey, sweetening the deliciously dark lyrics of “Kiss the Cuts (Disco No. 6 for Charles Bukowski) as Jazzmin, Andrew and Anders moved in sequence with the pulse. Once the clapping quiets, Sarah announces that “Kiss the Cuts” and the tongue-in-cheek song “I’m Nobody’s Baby (& You Ain’t Nobody’s Fool)” are available to purchase on their official “double”, of which I highly recommend. That way, their finger snapping and toe tapping tunes can follow you home in entirety, instead of just a catchy chorus looping in your head.

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LOVE.

What is HATE.

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HATE. A word that just makes you feel dirty. Ashamed. A society living in a veil of confusion and fear using their own prejudice to alienate and isolate. The only thing we need in this world is one thing. Just one: LOVE. There is a song that is now playing loudly all over the airwaves by Macklemore and Ryan Lewis featuring Mary Lambert. The lyrics are impossible to tune out because the truth that pierces through every spoken word is the most honest profoundly necessary truth this world is hungry for.

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TOTSY the Band

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As someone with a mind that sees the world through the cinematic lens, one hopes for a band that will come along and showcase performance, originality, and something completely impossible to take your eyes off. That band is TOTSY. As if you’re watching Tim Burton in female form prance across a stage with the curiosity of a modern day artist like an Andy Warhol with the sex appeal of 1930’s Burlesque and Hollywood starlet, when you see TOTSY on stage in all of their splendor, you can’t help but gravitate towards the showmanship of their stage presence.

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Coachella 2013

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The dirt rose up around us like steam as we tread through rows of cars with painted windows. The afternoon sun was beating down on our exposed shoulders, but an occasional breeze helped to soothe them from the 97 degree heat, carrying the distant scent of coconut sunscreen, hot grass, and smoke. The mile walk from the day parking lot to the front gates was punctuated by three security checkpoints, passing by fenced off car-camping sites and shuttle bus drop off areas. We had to empty out our water bottles prior to entering, but were informed of the multiple free water refill stations located throughout the grounds, as well as new bottles only costing $2. Also, if you brought 10 empty water bottles to the recycling booth, they would give you a new, cold bottle for free.

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Goat and Gnod

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This month is all about collectives. Bands are for squares. I mean why bother putting an ad for a bass player in your local rehearsal studio when you can recruit the entire town into your band and preside over it like a cult leader? – And – before you dismiss the whole idea and mutter something about the Polyphonic Spree, rest assured that the current trend of sprawling tribes of musicians are decidedly darker than before. Gone is the saccharine pop and gaggle of grinning misfits in robes…

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William Pilgrim

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But at the same time, I found it very therapeutic. Ish and Phil from William Pilgrim take songwriting and making music to its essence. It seems as if they do not do it for others, but still do to put their art out there for others to hear. Although it may sound selfish, their music is not selfish. They create it for themselves and for others at the same time; that is a truly non-selfish act. I listened to their album prior to the interview, and I listened to their album after the interview with a whole new perspective…

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Mathieu Bitton

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There is a striking honesty that moves through every image and it’s apparent fearlessness really does incite a rather beautiful curiosity. With images of iconic entertainers like Bono, Lenny Kravitz, Mos Def, Sean Lennon, and Quincy Jones blended with nude that show you the vulnerability, strangeness, fear, sensual prowess, and uncertainty in each of his subjects allows for a familiar raw and primal undertone…

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Pato Banton

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To further honor his commitment to music and community, Pato was inducted into the Reggae Hall of Fame alongside UB40 and Steel Pulse in 2002. Despite all the achievements, Pato “constantly searches for the truth.” That search for truth led him to the Urantia Book. That is not to say that Pato was not a spiritual person prior to the Urantia Book, but the Urantia Book changed his life because he feels he has found the truth he seeks within the book. His spirituality reveals itself with each answer. And Pato does not hold back from answering any question posed to him…

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Shana Halligan

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Imagine a voice that stirs the very essence of song, incites so much emotion with a single note, embodies strength, sensuality, and sweetness, and writes some of the most exquisite songs I’ve ever heard. That is Shana Halligan. Introduced to her music 4 years ago, the minute I heard her I knew she was someone entirely authentic.

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SXSW Trends Tues

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The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films, and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery and we here at Ali Levine Design love discovering new and upcoming talent. Especially talent with great style.

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Black Rebel Motorcycle Club

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There is a ten foot marble man levitating on his side. There are Jimi Hendrix paintings on the wall.A hotel reception desk. A bistro and cathedral sized foyer. All of it is drowning under neon blue light, doing nothing to calm the red faced business men in the Cumberland Hotel, pacing around , babbling into their blue tooth devices. It’s taking its toll as I stare at the revolving door, waiting to talk with two thirds of Black Rebel Motorcycle Club about music, death, hope and the most difficult album of their fifteen year career.

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