Review

Music, Music | Theatre

WHY? and Serengeti

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In the highly fickle and competitive world of music, bands that may be “great” individually but sound similar to other artists in their genre bracket, there’s a good change they get lost in the static. It is those musicians that straddle genre lines, blending influences to create a sound all their own, that are not only making themselves memorable, but becoming essential to staying relevant to listeners’ eclectic tastes.

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Culture, Los Angeles

Hollywood Cemetary The 9th Annual Johnny Ramone Tribute

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If ever there was a glamorous graveyard, Hollywood Forever Cemetery is it. It is the final resting place for legends like Cecil B. DeMille, Vampira (Maila Nurmi), and the man we were there to celebrate: Ramones guitarist Johnny Ramone. Don’t let the cemetery aspect spook you—with lush magenta bougainvillea, pristine stone statues and soothing water features, Hollywood Forever is simply beautiful.

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California, Eat | Drink, Los Angeles

Five0Four HOLLYWOOD

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The evening begins with a plethora of tastings. A throw back to the streets of New Orleans, the ostentatious melody of flavor and combination, and a wetting of ones appetite. It must be told that Five0Four is a restaurant and bar that has that open-air appeal with a subtle familiarity you’ve been there before. A testament to the environment they create and while it’s located right off of the infamous Hollywood Boulevard, you can sit outside, feast your eyes on the passersby, the tourists, the entertaining factor of life in real time.

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California, Culture, TV | FILM

‘Cow Power’ turns the lights on

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Global warming is an issue that has garnered bursts of widespread attention in both mainstream media and flyers on the walls of local colleges, with an impact as concerted as it is aloof. Films about the “inevitability” of our ill-fated demise (2012, An Inconvenient Truth) stand toe-to-toe with those rallying against the supposed absurdity of such a notion (The Great Global Warming Swindle). In a sort hilarious twist of irony, there may be a bigger issue at hand here, one that connotes the idea of a hell-on-earth as defunct.

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California, Los Angeles, Music, Music | Theatre

Double Header of Talent: Shaun B and Orlando Napier at Harvelle’s

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He is a thin, handsome man in a striped shirt and jeans, sipping on Stella Artois and bobbing to the music–and I realize it’s the second headliner of the night, Orlando Napier–and since we are standing inches from the speakers, I flip into a blank page of my notebook and write “Break a leg up there” and hold it up to him. He smiles and shakes my hand twice before hopping on stage, embracing a glistening-with-sweat Shaun B. who concludes his set with supercharged covers of Stevie Wonder and The Turtles’ “Happy Together.”

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California, Culture, Los Angeles, TV | FILM

I Think It’s Raining

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It is with this in mind that I was struck by how at odds I felt about the actors’ ability in conjunction to the film’s style and narrative. Undoubtedly a by-product of the director’s decided dismissal of maintaining strict coherence of his script, throughout the narrative Renata and Val carry on Linklater-esque conversations in an awkward, pause-filled manner that initially induces a sort of ticking time-bomb dread.

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California, Culture, Los Angeles

Cirque-A-Palooza!

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This is the show that the performers would put on for each other. The juggler dropped his pancake (more on that later), the sword swallower even choked up just a little bit of the spaghetti from his dinner (I’ll leave that one alone). That said, even before the show started, I felt like I was in on the jokes, maybe even sitting in Stefan’s living room, dancing a little too wildly and drinking more than I should. So along with other performers, the audience and I cheered the successes, forgave foibles, and generally had a delightful time doing so.

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California, Culture, Film, Limited Edition, OCMA Film, TV | FILM

Tom Cawley’s “Something” is Anything but “Nothing”

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While higher-budgeted docs filled with even bigger names might elicit the awe of that Hollywood intangibility, Cawley’s down-to-earth subject matter, and even the subjects themselves, bring us into the story of our own lives. We don’t want to be the people on-screen, these celebrities of sight and sound and tactile surfaces, but rather we wish to paint the stars of our respective destinies with the footnotes of these men and women’s successes, failures, moments of elation, and of suffocating despair. They are, in a word, human.

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California, Culture, Los Angeles, Music | Theatre, Special Event

Ferrante brings back Groucho Marx

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Just then, the lights begin to dim as a loud voice comes on over the loudspeakers, the once-deafening shouts of a crowd in conversation with itself dying down as a spotlight follows impresario and tonight’s host Stefan Haves down the right side of the theater to the main stage. Mr. Haves is known for “frequently drawing on LA talent to re-invent physical theater, circus, and clowning — stubbornly breaking every artistic wall in a town whose theatrical conventions and filmic traditions often tend toward maintaining that stubborn ‘fourth wall’ [pasadenaplayhouse.org].”

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COLUMNS, HT's Take, Lifestyle, Limited Edition, Los Angeles, Music | Theatre, Theatre

The Rainmaker: Who Cares if its Not Feminism—Its True

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With such an excellent cast, it’s easy to nitpick. The only off note comes from Robert Standley’s Starbuck. Starbuck is supposed to be a charming con man, but on Standley, the snake oil is a little too thick. Still in later love scenes, he embodies the hope and confidence of a true “confidence man”—one that is able to inspire the confidence of others.

The tale is a familiar one—resting on the idea that nobody can love you until you love yourself. But of course this internal struggle to believe in ones own beauty comes much easier when surrounded by people who already believe in it for you.

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COLUMNS, Culture, Film, Lifestyle, Limited Edition, Los Angeles, OCMA Film, TV | FILM

Smiling Through the Apocalypse

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Smiling Through the Apocalypse, if you haven’t already Googled it yourself already, is a documentary that focuses on Esquire magazine during the sixties. Specifically, during the sixties under the helm of editor Harold T.P. Hayes. The story goes something like this: during one of the most turbulent decades unseen since the Civil War era, editor and provocateur Howard Hayes is remembered as having stepped up to take the falling star that was Esquire, and put it back in the sky. The film’s summary goes on to describe a man who not only led a team behind some of the most varied polemical writing styles and iconoclastic subtleties, but did so under the caveat that each and every day could easily lead to (and oftentimes did) disaster riddle in controversy.

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California, COLUMNS, Los Angeles, Music | Theatre

The Ruby Cabaret

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As I breach the intersection where “blvd.” meets “way”, I notice an adjacent baseball field where middle school adolescents play a game next to fenced off basketball courts and children playing tag. It is memorable to me because the rays of sunlight peeking through the chain links surrounding the field cause me to raise a hand in order to see. But the sun soon goes down, and soon I no longer need to shield my eyes. Just in time, too – a crowd is beginning to form outside one of the Elephant Stage’s five doors I had mistaken for a restroom entrance earlier in the evening.

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California, COLUMNS, DG's Passion, TV | FILM

The GREAT Gatsby

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We sit silently living and hoping, waiting for the shards and broken pieces to weld themselves back together. The vacancy of wonder, elusive and misleading; in the end all we strive for is for one person to understand us. To see the color inside the storm, the liquified beauty inside of the chaos. We are, fools for love. And yet we watch as it wavers, sliding from our grasp, and some of us cling to the tattered threads because somehow – we still believe there is a way to piece us back together.

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