Cocktails

No Room For the Ordinary

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As the band fades out, the man in the bowler derby starts to climb a ladder to where the tightrope begins. He stops to sweep out his arm over the audience, clutching a bouquet of flowers, and begins his trek across the tightrope above faces draped in cherry lipstick and blue eye shadow, everyone frantically trying to capture the moment with their camera phones, and me scribbling details in an orange notebook. The crowd and I reward the tightrope walker with a much deserved crackle of applause and it is after this moment that the co-owner of the bar, Mark Houston, arrives, blazing through the crowd in a grey suit and whirlwind of smiles, hugs, and handshakes from the many friends who have come to support him. And although I have never met him before, Mark sets aside time to speak with me, giving me a tour of the location and tells me of his vision for No Vacancy, explaining how he wants the bar to rise above the cheesiness of Hollywood Boulevard as well as restore a treasured landmark and era of Los Angeles history.

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Stone and Sadie

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Sarah’s voice drips out into the microphone like honey, sweetening the deliciously dark lyrics of “Kiss the Cuts (Disco No. 6 for Charles Bukowski) as Jazzmin, Andrew and Anders moved in sequence with the pulse. Once the clapping quiets, Sarah announces that “Kiss the Cuts” and the tongue-in-cheek song “I’m Nobody’s Baby (& You Ain’t Nobody’s Fool)” are available to purchase on their official “double”, of which I highly recommend. That way, their finger snapping and toe tapping tunes can follow you home in entirety, instead of just a catchy chorus looping in your head.

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Zinque Abbott Kinney

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A fairly delectable selection of wines, small plates, fresh ingredients, and this rural rustic chic kind of atmosphere, I stumbled upon a rather perfect place. I wait. Patio is insanely busy but the restaurant, not so much. And I wait. And I wait. But eventually, sunshine (my happy server) comes over and asks me what I want. To begin, you have to give a credit card. Much like a bar, you open a tab or pay and close. A bit different but hey, better than someone drinking too much and not being able to pay I guess. And so, I relent. I begin my curiosities by ordering a glass of Grenacha, Evodia from Spain, vintage ’11.

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