California

A Fall Day Trip Full of Fashion and Fright in Long Beach

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October in Southern California could most easily be described as “Indian Summer”—the hot, dry Santa Ana winds rustling the yellowing leaves during the day, and the cool dampness of ocean fog rolling in off the coast at night. Despite the fact that pumpkins are beginning to replace pool floaties and boogie boards on front porches, many people are still looking for one last mini-vacation hoorah before the slew of holiday preparation begins. With that in mind, here is where I introduce one of my favorite cities, and a potential day trip plan to maximize the sunshine and spookiness this month has to offer: Long Beach.

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The Ranch Restaurant and Saloon

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I had the great pleasure of sending my 3 writers and photographer: Cord Montgomery, Greg Barraza, Tyler Dean and Clarence Alford to experience the new launch of a phenomenal menu and a beautiful venue this past week. While I was unable to make it myself, I was proud to send in my exceptional staff to experience what I had hoped was an unforgettable venue. Turns out, it was. Thanks to Nancy Zwart for the invitation and to Chefs Michael and David Rossi for creating something these fellas won’t soon forget. I look forward to coming in myself. For now, enjoy three very different perspectives of one unforgettable evening.

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The Independents Vol. 1

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Power, honesty, gritty self-awareness, passion, love, humor, sexuality, self doubt … Every artist must have all of these.

The Independents Vol. 1 is a compilation of extraordinarily talented artists acting out moments of their lives and each and every one of them embody the characteristics mentioned above. The evening air relents and lowers its obstructive heat to give us a moment of cool calm.

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La Descarga

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As the night continues, another dance, a crowd of thirsty dwellers, a trip to the cigar room, a plentiful amount of beautiful people, dance floor flow, and a lot of thoughtful character. La Descarga is a place that reminds me of the “joints” once permitted in old time Cuba. The kind that Reinaldo Arenas dared to write about:

I pull off the cover, and stare at her dusty, cold shape I clean of fthe dust and caress her. With my hand, delicately, I wipe clean her back, her base and her sides. In front of her, I feel desperate and happy.

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Five0Four HOLLYWOOD

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The evening begins with a plethora of tastings. A throw back to the streets of New Orleans, the ostentatious melody of flavor and combination, and a wetting of ones appetite. It must be told that Five0Four is a restaurant and bar that has that open-air appeal with a subtle familiarity you’ve been there before. A testament to the environment they create and while it’s located right off of the infamous Hollywood Boulevard, you can sit outside, feast your eyes on the passersby, the tourists, the entertaining factor of life in real time.

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‘Cow Power’ turns the lights on

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Global warming is an issue that has garnered bursts of widespread attention in both mainstream media and flyers on the walls of local colleges, with an impact as concerted as it is aloof. Films about the “inevitability” of our ill-fated demise (2012, An Inconvenient Truth) stand toe-to-toe with those rallying against the supposed absurdity of such a notion (The Great Global Warming Swindle). In a sort hilarious twist of irony, there may be a bigger issue at hand here, one that connotes the idea of a hell-on-earth as defunct.

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Double Header of Talent: Shaun B and Orlando Napier at Harvelle’s

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He is a thin, handsome man in a striped shirt and jeans, sipping on Stella Artois and bobbing to the music–and I realize it’s the second headliner of the night, Orlando Napier–and since we are standing inches from the speakers, I flip into a blank page of my notebook and write “Break a leg up there” and hold it up to him. He smiles and shakes my hand twice before hopping on stage, embracing a glistening-with-sweat Shaun B. who concludes his set with supercharged covers of Stevie Wonder and The Turtles’ “Happy Together.”

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I Think It’s Raining

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It is with this in mind that I was struck by how at odds I felt about the actors’ ability in conjunction to the film’s style and narrative. Undoubtedly a by-product of the director’s decided dismissal of maintaining strict coherence of his script, throughout the narrative Renata and Val carry on Linklater-esque conversations in an awkward, pause-filled manner that initially induces a sort of ticking time-bomb dread.

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Cirque-A-Palooza!

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This is the show that the performers would put on for each other. The juggler dropped his pancake (more on that later), the sword swallower even choked up just a little bit of the spaghetti from his dinner (I’ll leave that one alone). That said, even before the show started, I felt like I was in on the jokes, maybe even sitting in Stefan’s living room, dancing a little too wildly and drinking more than I should. So along with other performers, the audience and I cheered the successes, forgave foibles, and generally had a delightful time doing so.

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Tom Cawley’s “Something” is Anything but “Nothing”

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While higher-budgeted docs filled with even bigger names might elicit the awe of that Hollywood intangibility, Cawley’s down-to-earth subject matter, and even the subjects themselves, bring us into the story of our own lives. We don’t want to be the people on-screen, these celebrities of sight and sound and tactile surfaces, but rather we wish to paint the stars of our respective destinies with the footnotes of these men and women’s successes, failures, moments of elation, and of suffocating despair. They are, in a word, human.

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Ferrante brings back Groucho Marx

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Just then, the lights begin to dim as a loud voice comes on over the loudspeakers, the once-deafening shouts of a crowd in conversation with itself dying down as a spotlight follows impresario and tonight’s host Stefan Haves down the right side of the theater to the main stage. Mr. Haves is known for “frequently drawing on LA talent to re-invent physical theater, circus, and clowning — stubbornly breaking every artistic wall in a town whose theatrical conventions and filmic traditions often tend toward maintaining that stubborn ‘fourth wall’ [pasadenaplayhouse.org].”

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The Bruery Brew Dinner at The Crow Bar – Prying Flavors with Pairings

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Our plates are cleared, and the second beer arrives, Or Xata, a horchata ale—something we’ve never had or heard of—and anticipation swells in our tongues; both of us spending many nights running to 24-hour Mexican restaurants to satisfy our cravings for the milky, cinnamon drink after 2am. Upon smelling the beer, it evokes images of a creamsicle on a hot summer day, and as it touches your lips, the cinnamon and creamy body takes over, weaving to a vanilla conclusion. We discuss how you often read about eccentric billionaires who have enough money to fly out their favorite chili cheese burger from a Ma and Pa restaurant in the Midwest. This beer would be our eccentric billionaire fly-out.

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PASADENA PLAYHO– — USE PRESENTS Justin Willman

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As seen as the HOST o Food Network’s, “Cupcake Wars”, PASADENA PLAYHO– — USE PRESENTS Justin Willman – TRICKED OUT! A Magic Show like you’ve never seen – AND – ATOD Magazine Readers are getting a special offer and discount on the tickets thanks to those at Pasadena Playhouse. This is a show you do NOT want to miss!

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FASHION: A Night of Old Hollywood Cool

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It was sticky night as the moisture of the heat and the primal desires began to surface. It was Thursday night and the muck of the air rested on my dampened flesh this June evening. Tonight is the big event and it’s the night I get to slip into a dress made by Laura Byrnes and the Designers of PinUp Girl Clothing. Black material cut for bodies like mine, a velvet upper bodice draping my shoulders, binding my neck, and accentuating my bountiful decolletage with amplified elegance. A caterpillar green cymbidium orchid lined with sexuality nestled in my ginger hair. Everything is about how you feel in your own skin and tonight, in this dress, I planned on being ready … for any urge that beckoned.

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A Man of MUCH Importance

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I’ll admit that I was swept away by the music but when I started to truly understand what was happening in the story, when Alfie clearly shows he is in love with Robby, things begin to really fall into place. With a bizarre but dutiful relationship between Alfie and his sister, Lily, the protector, anchor, and opinionated powerhouse; the friendship between Alfie and Robby that is seemingly innocent and true; the importance of the theatre to every character involved; societal persecution; the unfortunate backdrop of conservatism rearing it’s head to take the freedom and swell of joy right out of it – this was a play/musical that leaves you full of thought, a bit of sadness, and a reason to feel your voice needs to sound.

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Stone and Sadie

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Sarah’s voice drips out into the microphone like honey, sweetening the deliciously dark lyrics of “Kiss the Cuts (Disco No. 6 for Charles Bukowski) as Jazzmin, Andrew and Anders moved in sequence with the pulse. Once the clapping quiets, Sarah announces that “Kiss the Cuts” and the tongue-in-cheek song “I’m Nobody’s Baby (& You Ain’t Nobody’s Fool)” are available to purchase on their official “double”, of which I highly recommend. That way, their finger snapping and toe tapping tunes can follow you home in entirety, instead of just a catchy chorus looping in your head.

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LOVE.

What is HATE.

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HATE. A word that just makes you feel dirty. Ashamed. A society living in a veil of confusion and fear using their own prejudice to alienate and isolate. The only thing we need in this world is one thing. Just one: LOVE. There is a song that is now playing loudly all over the airwaves by Macklemore and Ryan Lewis featuring Mary Lambert. The lyrics are impossible to tune out because the truth that pierces through every spoken word is the most honest profoundly necessary truth this world is hungry for.

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