ATOD Magazine™ 2013 Annual Movember Event
In Review: ATOD Magazine™ 2013 Annual Movember…
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In Review: ATOD Magazine™ 2013 Annual Movember…
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New Year’s Eve in Los Angeles Part…
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2013 has been one of the most creative years I’ve ever encountered and it seems fitting to close off the year by telling you the story of a truly gifted sculptor. Melanie Newcombe. The very essence of art is its ability to move you. The details, the unspoken emotion, the movement, the material tend to all be secondary. Until you come upon Melanie’s work. Made of cold, seemingly emotionally vacant materials of aluminum and metal, you are warmed by the very sight of her sculptures and find, that without pause, you are becoming entangled in the swell of feelings it provokes.
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Being in this unspoiled landscape taught me so much about food and culture. This was the first time I understood what fresh fish meant as the local tribe speared it daily and to our pleasure, it was prepared for us. I tasted REAL molé … not chalky or grainy but rich and exciting and spicy and it nestled itself in my mouth in a way that lingered like good sex. I tasted wines and rums and tequilas and libations I had never had.
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A rousing performance from start to finish, the 35th Anniversary of the Pacific Symphony Orchestra segues into the pre-holiday season with an eclecticism of pieces as profoundly intuitive as they are performed. Led by Music Director Carl St. Clair, the players outdo themselves once more as they partake in transformative renditions of, first, the overture to the folktale odyssey, Russlan and Ludmilla, then finishing the evening off with Béla Bartók’s Concerto for Orchestra. However, it’s a fact (well, depending on who you ask) that if you really want to hit the proverbial nail on the head when it comes to classicist grandstanding, you need look no further than the beloved—and oft-referenced—Tchaikovsky poesy, Piano Concerto no. 1, performed tonight by the gracefully fierce guest artist, Joyce Yang. In a production as equally “altogether everywhere” as its conductor, the only truth more fully realized is that tonight will surely be unforgettable.
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I noticed a small touch: a glass of Szigeti Sparkling Gruner Veltliner was waiting at my place setting. Opening a dinner with a nice glass of bubbles does wonders to not only clean the palate, but it allows one to relax before the Amuse Bouche, our first course. We were presented with an extremely interesting, but amazing, choice for the Amuse Bouche: a green chile Mexican chocolate milk with a crispy tortilla lavash topped with age cheddar cheese foam. The warm chocolate milk with a slight hint of acidity perked the taste buds, while the quesadilla soothed them, as if foreshadowing the flavors to come; at the same time, telling the taste buds, “Relax. There is plenty more where that came from.”
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Enter into a second year of the beautiful world of pantomime theatre created by Lythgoe Family Productions at the Pasadena Playhouse and what you’ll find is a happiness you need to warm you this time of year. The experience begins with an interactive Wonderland in the courtyard, a game of “knock down a lantern”, a trip to see Santa, and a room filled with activities from making your own crown to fighting with magical swords. It is a fun escape from the every day and with two kiddos with me for tonight’s performance, I was able to experience it their way.
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nvited to attend the Fig & Olive Music Collection Release Event on Wednesday, December 4th I was beyond elated to be heading to the pristine Melrose Place restaurant where Chef Pascal Lorange creates truly delightful Mediterranean inspired cuisine. The space has been home to Grammy Events, Oscar Events, celebrity parties and the like but it’s not because it is pretentious. In fact it boasts a truly wonderful airy feel, spacious rooms, earthy envelopment’s, crisp clean dècor with rich hues of color to warm you.
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This month’s series delves into the often uncomfortable moments where food begins an unraveling conversation about life, introspection, fear, complacency, adventure, and truth. Each performer offers insight into a world even they are unprepared to share and it is raw and wonderful and, well, full of human moments.
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Last night I attended an Art Exhibition unlike any other. Fashion, sculptures, photography, painting, music, soul, an infinite realm of art that extended its reach into me. The crowd peppered with familiar faces, gorgeous unknowns, smiling creatives, lustful glances, stolen touch – all swimming in a sea of inspiration that opened us up and invited us in.
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It is Halloween’s Eve, a little before 7 P.M. I pull into the parking lot outside of Five Crowns Restaurant and Steakhouse and immediately start to panic—valet parking. Suddenly I’m extremely nervous, not because I fear strangers driving my car, but because my car is literally beginning to disintegrate—rendering it almost inoperable. After three broken door handles inside and outside, getting in and out of my car has proven to be a difficult and ridiculous affair: I have to roll down my window and open it from the outside door handle (fortunately only halfway broken) to get out.
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I am a woman stripped. Stripped of everything that tries to rest on my flesh and make me cringe within the skin that is holding my organs together. I am broken. Broken into a million sharp and jagged little pieces of transparent glass reflecting every experience I have ever had. I am afraid. Afraid to let go and let the world see all of the cracks and faults and frightening truths I am shoving back inside. I am naked. Bare. Exposed. Flawed. I am human. I am – BEAUTIFUL.
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I had the pleasure of sitting down with two of what I believe will be the actors to keep your eye on in the coming years: Garrett Backstrom and Collin Ford. Invited to attend the Red Carpet DVD Release Event of Michelle Danner’s “Hello Herman”, I was asked if there was anyone attending I’d want to interview. While the list is always interesting, I wanted to interview someone I felt hadn’t really had an opportunity to be seen outside of their realm. For the first time ever, I interviewed two, under 18, rising stars in Hollywood. Both 17 years-old, both with a rather successful career already under their belt, and the endless potential that will no doubt make them household names very soon.
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“Act your age.” It’s a phrase all of us have heard at one point or another, usually voiced by a parent or other magisterial figure upon discovering some sort of uncovered mischief. Many times, the phrase is as warranted as it is stiff in meaning, especially in regards to children, young adults, and even the middle-aged authoritarians that youth often finds itself in subjugation to. But when does staunch despotic naysaying apply to the elderly: those who for most of our lives would keep us from swallowing gum or “borrowing” items that don’t belong to us? Watching Denise Blasor’s Wild in Wichita, the answer might surprise you.
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In a world where bullying is more prevalent than ever, violence seems to be the first resort rather than the last, our youth is more isolated and apathetic than times passed, and well, the accessibility of “reaction” is catastrophically daunting. Hello Herman is a film starring Garrett Backstrom who gives the performance of his young career pushing the boundaries of his psyche, exposing the faulty backfire of repercussion, and the prevalent truth that something is genuinely faulty with the way the world is raising our future generations.
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EAT YOUR WORDS at The Standard Hollywood…
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With an entrance that begs a sense of nostalgia with a simple black gate, stairs leading underground, a large iron-cast door with a rectangular peep hole, call box, and the word “SEX” cut out of old copper metal with marquee bulbs screwed into its shape (some lit, some not … its all in the details) upon entry, you know this is not like any place you’ve ever been. You can feel this flood of heat rush over you as if your body understands that tonight, you get to revel in some much needed anonymity.
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Power, honesty, gritty self-awareness, passion, love, humor, sexuality, self doubt … Every artist must have all of these.
The Independents Vol. 1 is a compilation of extraordinarily talented artists acting out moments of their lives and each and every one of them embody the characteristics mentioned above. The evening air relents and lowers its obstructive heat to give us a moment of cool calm.
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As the night continues, another dance, a crowd of thirsty dwellers, a trip to the cigar room, a plentiful amount of beautiful people, dance floor flow, and a lot of thoughtful character. La Descarga is a place that reminds me of the “joints” once permitted in old time Cuba. The kind that Reinaldo Arenas dared to write about:
I pull off the cover, and stare at her dusty, cold shape I clean of fthe dust and caress her. With my hand, delicately, I wipe clean her back, her base and her sides. In front of her, I feel desperate and happy.
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If ever there was a glamorous graveyard, Hollywood Forever Cemetery is it. It is the final resting place for legends like Cecil B. DeMille, Vampira (Maila Nurmi), and the man we were there to celebrate: Ramones guitarist Johnny Ramone. Don’t let the cemetery aspect spook you—with lush magenta bougainvillea, pristine stone statues and soothing water features, Hollywood Forever is simply beautiful.
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The evening begins with a plethora of tastings. A throw back to the streets of New Orleans, the ostentatious melody of flavor and combination, and a wetting of ones appetite. It must be told that Five0Four is a restaurant and bar that has that open-air appeal with a subtle familiarity you’ve been there before. A testament to the environment they create and while it’s located right off of the infamous Hollywood Boulevard, you can sit outside, feast your eyes on the passersby, the tourists, the entertaining factor of life in real time.
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Allow yourself to laugh loudly, openly, make strange noises, cry, and clap vigorously if you appreciated the performance. Not only will you feel good, your positive energy and encouragement nourish those performing. Support local talent and local venues. Give back however you can, even if it is just a heartfelt smile.
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Today begins a very interesting journey. I’m relinquishing my rights to choose my own dates and handing the baton over to my friends. First you better know who I am. My name is Dawn Garcia. I’m the Editor and Founder of this Magazine. I hosted a Radio Show and am hosting a new WebSeries. My entire profession revolves around telling other people’s stories, making sure the world knows about the amazing talent out there, and I even write the occasional screenplay. I work a LOT. And the most important thing … I’m a single mom. Emphasis on single.
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He is a thin, handsome man in a striped shirt and jeans, sipping on Stella Artois and bobbing to the music–and I realize it’s the second headliner of the night, Orlando Napier–and since we are standing inches from the speakers, I flip into a blank page of my notebook and write “Break a leg up there” and hold it up to him. He smiles and shakes my hand twice before hopping on stage, embracing a glistening-with-sweat Shaun B. who concludes his set with supercharged covers of Stevie Wonder and The Turtles’ “Happy Together.”
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It is with this in mind that I was struck by how at odds I felt about the actors’ ability in conjunction to the film’s style and narrative. Undoubtedly a by-product of the director’s decided dismissal of maintaining strict coherence of his script, throughout the narrative Renata and Val carry on Linklater-esque conversations in an awkward, pause-filled manner that initially induces a sort of ticking time-bomb dread.
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