Music | Theatre

Feeling Ravenous

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In the heart of Downtown, an evening of live music, art, cocktails, food, and a crowd abundant in sophistication gathered. Celebrating the 1st official party of the year for the Magazine, I had the pleasure of curating my first official space. Working with brothers, Drew and Cory Jacobsen of Ebanos Crossing in the heart of DTLA, we began to plan an event that would allow me to feature art, bring in a phenomenal band, work with the best tequila brand around, offer tasty bites, and encourage every guests to tap into all of their senses.

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The Byrd Series – The Dustbowl Revival

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WEST HOLLYWOOD, CA – Imagine a boutique hotel tucked away in the streets of West Hollywood, an entrance, a man, a list, an elevator, a rooftop – you pass a pool all too inviting and follow the strings of Edison bulbs dangling overhead in rows of ambient wonder, down the steps. You see a large fire pit made of tiles and stones nestled cozily on the planks of wooden flooring amidst rows of over sized tangerine cushioned chairs, a corner bar with bartenders buzzing about the abundant crowd inquiring of cocktails and wines and plates of fare. Now imagine all of this as a band is arranged at the front of the deck; music and sound traveling with an undulated swing of sheer playful delight – that is tonight’s Byrd Series and the band: The Dustbowl Revival.

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LA Meets Nashville

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While there are major bands living and playing all throughout the city, there are smaller indie musical artists that take you by surprise. The kind that envelop the more unfiltered parts of ourselves. The singers, songwriters, and musicians that play with a hunger within to simply tell their story – the kind of music that comes from Nashville or Chicago or another time altogether and somehow, when lucky enough, you get 3 in one night!

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TOTEM Cirque du Soleil

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Somewhere between science and legend TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential. Uniquely beautiful costuming, golds, eccentric, feathers, bowls, juggled balanced passed from performer to performer with a skill absolutely bewildering.

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Matthew Morrison Impresses Segerstrom Audience

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The set pieces all come from Morrison’s latest album release, Where it all Began, which can aptly be described as a collection of standards, many first made famous in Broadway musicals. An appropriate assemblage when you consider that the singer/dancer/actor himself got his comeuppance in the Great White Way many years prior to his television namesake.

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1st Annual One Starry Night

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PASADENA, CA – There are events that happen in life that you never forget: Your first crush, your first concert, your first victory – and if you’re lucky, you get to add meeting a few childhood inspirations to that list. Last night, invited to attend Pasadena Playhouse’s 1st Annual One Starry Night Benefit Concert, I not only experienced one of the most incredible benefit events to date, I met inspirations that are among the reasons I create – and – the reason most of us still believe in a little magic.

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Pacific Symphony’s “Rodrigo’s Concierto”

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In the center of the lobby, classical guitarist Joseph Yashar crawls his fingers across guitar strings in a masterful rendition of Romance Anonimo, one of the most gorgeous and recognizable Spanish guitar pieces of all time, yet sadly attributed to an unknown composer. Others in the lobby are creating their own poetry with large magnetic tiles boasting phrases from Federico García Lorca’s poetry. The activities are an enticing precursor to the night’s main event and a burst of applause and the raising of wine glasses begin to emerge as the guitarist concludes, echoing the last note with precise fingertips.

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Wild in Wichita

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“Act your age.” It’s a phrase all of us have heard at one point or another, usually voiced by a parent or other magisterial figure upon discovering some sort of uncovered mischief. Many times, the phrase is as warranted as it is stiff in meaning, especially in regards to children, young adults, and even the middle-aged authoritarians that youth often finds itself in subjugation to. But when does staunch despotic naysaying apply to the elderly: those who for most of our lives would keep us from swallowing gum or “borrowing” items that don’t belong to us? Watching Denise Blasor’s Wild in Wichita, the answer might surprise you.

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We Got Lucky

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“We Got Lucky” is a play about two best friends, Brad and Aaron, who live the bachelor lifestyle in Los Angeles. Aaron, played by Matthew Gilliam, is an unapologetic womanizer and alcoholic, who has a tremendous fear of commitment; in fact, the only thing he is committed to is his friendship with Brad. Aaron is boisterous and crass at times, but this works extremely well because it is his overt carelessness that gives him his “charm.”

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