Music | Theatre

Arts | Culture, Interviews, Music, Music | Theatre

Sitting Down With UB40

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The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a “jazz-dub-reggae” band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned secondhand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

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A Drink?, Cocktails, Culture, Events, Lifestyle, Los Angeles, Music, Music | Theatre, Special Event

Fancy A Drink? Get Your DIRTY LAUNDRY!

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With an entrance that begs a sense of nostalgia with a simple black gate, stairs leading underground, a large iron-cast door with a rectangular peep hole, call box, and the word “SEX” cut out of old copper metal with marquee bulbs screwed into its shape (some lit, some not … its all in the details) upon entry, you know this is not like any place you’ve ever been. You can feel this flood of heat rush over you as if your body understands that tonight, you get to revel in some much needed anonymity.

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Music, Music | Theatre

WHY? and Serengeti

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In the highly fickle and competitive world of music, bands that may be “great” individually but sound similar to other artists in their genre bracket, there’s a good change they get lost in the static. It is those musicians that straddle genre lines, blending influences to create a sound all their own, that are not only making themselves memorable, but becoming essential to staying relevant to listeners’ eclectic tastes.

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California, Los Angeles, Music | Theatre

The Independents Vol. 1

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Power, honesty, gritty self-awareness, passion, love, humor, sexuality, self doubt … Every artist must have all of these.

The Independents Vol. 1 is a compilation of extraordinarily talented artists acting out moments of their lives and each and every one of them embody the characteristics mentioned above. The evening air relents and lowers its obstructive heat to give us a moment of cool calm.

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California, Los Angeles, Music, Music | Theatre

Double Header of Talent: Shaun B and Orlando Napier at Harvelle’s

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He is a thin, handsome man in a striped shirt and jeans, sipping on Stella Artois and bobbing to the music–and I realize it’s the second headliner of the night, Orlando Napier–and since we are standing inches from the speakers, I flip into a blank page of my notebook and write “Break a leg up there” and hold it up to him. He smiles and shakes my hand twice before hopping on stage, embracing a glistening-with-sweat Shaun B. who concludes his set with supercharged covers of Stevie Wonder and The Turtles’ “Happy Together.”

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California, Culture, Los Angeles, Music | Theatre, Special Event

Ferrante brings back Groucho Marx

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Just then, the lights begin to dim as a loud voice comes on over the loudspeakers, the once-deafening shouts of a crowd in conversation with itself dying down as a spotlight follows impresario and tonight’s host Stefan Haves down the right side of the theater to the main stage. Mr. Haves is known for “frequently drawing on LA talent to re-invent physical theater, circus, and clowning — stubbornly breaking every artistic wall in a town whose theatrical conventions and filmic traditions often tend toward maintaining that stubborn ‘fourth wall’ [pasadenaplayhouse.org].”

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COLUMNS, HT's Take, Lifestyle, Limited Edition, Los Angeles, Music | Theatre, Theatre

The Rainmaker: Who Cares if its Not Feminism—Its True

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With such an excellent cast, it’s easy to nitpick. The only off note comes from Robert Standley’s Starbuck. Starbuck is supposed to be a charming con man, but on Standley, the snake oil is a little too thick. Still in later love scenes, he embodies the hope and confidence of a true “confidence man”—one that is able to inspire the confidence of others.

The tale is a familiar one—resting on the idea that nobody can love you until you love yourself. But of course this internal struggle to believe in ones own beauty comes much easier when surrounded by people who already believe in it for you.

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California, COLUMNS, Dawn Garcia, DG's Passion, Limited Edition, Los Angeles, Music | Theatre, Theatre

A Man of MUCH Importance

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I’ll admit that I was swept away by the music but when I started to truly understand what was happening in the story, when Alfie clearly shows he is in love with Robby, things begin to really fall into place. With a bizarre but dutiful relationship between Alfie and his sister, Lily, the protector, anchor, and opinionated powerhouse; the friendship between Alfie and Robby that is seemingly innocent and true; the importance of the theatre to every character involved; societal persecution; the unfortunate backdrop of conservatism rearing it’s head to take the freedom and swell of joy right out of it – this was a play/musical that leaves you full of thought, a bit of sadness, and a reason to feel your voice needs to sound.

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A Drink?, AM's Drive, California, Cocktails, COLUMNS, Dawn Garcia, Limited Edition, Los Angeles, Music, Music | Theatre

Stone and Sadie

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Sarah’s voice drips out into the microphone like honey, sweetening the deliciously dark lyrics of “Kiss the Cuts (Disco No. 6 for Charles Bukowski) as Jazzmin, Andrew and Anders moved in sequence with the pulse. Once the clapping quiets, Sarah announces that “Kiss the Cuts” and the tongue-in-cheek song “I’m Nobody’s Baby (& You Ain’t Nobody’s Fool)” are available to purchase on their official “double”, of which I highly recommend. That way, their finger snapping and toe tapping tunes can follow you home in entirety, instead of just a catchy chorus looping in your head.

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California, COLUMNS, Los Angeles, Music | Theatre

The Ruby Cabaret

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As I breach the intersection where “blvd.” meets “way”, I notice an adjacent baseball field where middle school adolescents play a game next to fenced off basketball courts and children playing tag. It is memorable to me because the rays of sunlight peeking through the chain links surrounding the field cause me to raise a hand in order to see. But the sun soon goes down, and soon I no longer need to shield my eyes. Just in time, too – a crowd is beginning to form outside one of the Elephant Stage’s five doors I had mistaken for a restroom entrance earlier in the evening.

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California, COLUMNS, DG's Passion, Los Angeles, Music, Music | Theatre

TOTSY the Band

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As someone with a mind that sees the world through the cinematic lens, one hopes for a band that will come along and showcase performance, originality, and something completely impossible to take your eyes off. That band is TOTSY. As if you’re watching Tim Burton in female form prance across a stage with the curiosity of a modern day artist like an Andy Warhol with the sex appeal of 1930’s Burlesque and Hollywood starlet, when you see TOTSY on stage in all of their splendor, you can’t help but gravitate towards the showmanship of their stage presence.

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COLUMNS, HT's Take, Los Angeles, Music | Theatre

RENT

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This cast of RENT certainly meets those criteria. The performances were energetic and committed, as was the entire production. This isn’t such a surprise, since the theater group raised crowd-funding money through indiegogo. I fully support crowd-funding as a way to sustain the arts, especially since government funding for projects seem to be ever further away. We may see some disappointments, but most of the time we’ll get art and performances that reflects the full dedication of the artists.

Reagan Osborn grounds the cast in a near-perfect interpretation of Mark Cohen, the play’s narrator. Osborn is a terrific singer and provides a subtle character read. Similar praises go to standout performances from Alli Miller, who plays Maureen to great laughs, but also captures her seductive charisma, as well as the entire back up cast of bohemians, tent city dwellers, and intruding parents. The group of terrific singers and actors made the most of small roles and added their fantastic voices to the lively group numbers.

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Arts | Culture, COLUMNS, ENTERTAINMENT, Interviews, Lifestyle, Music, Music | Theatre

William Pilgrim

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But at the same time, I found it very therapeutic. Ish and Phil from William Pilgrim take songwriting and making music to its essence. It seems as if they do not do it for others, but still do to put their art out there for others to hear. Although it may sound selfish, their music is not selfish. They create it for themselves and for others at the same time; that is a truly non-selfish act. I listened to their album prior to the interview, and I listened to their album after the interview with a whole new perspective…

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Los Angeles, Music | Theatre

Belz!

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“Story of the life of Hugo Schwarts, a fictional Jewish comedian from the Galician shtetl of Belz. We follow his successes, hart-breaks, marriage, love affairs, children, laughter and tears…

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COLUMNS, DG's Passion, Limited Edition, Los Angeles, Music | Theatre, Theatre

LOVE Bites.

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We’ve all been through some torrid relationship where we love entirely or hate entirely, been overly emotional, blown things out of proportion, made tragic mistakes that cost us the ones we love, or – if you’re lucky – learn to just laugh it all off as “experience”, a “life lesson”, or the reason you won’t make the same mistakes twice. LOVE. It can be beautiful but it can, as it most often is in today’s world, bite.

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